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Moderators: Hepcat Daddy-O, JouJoux, Staubfinger





luizoak wrote:Luh, first of all, wellcome ;)
As for the nomination, you are totally right. My bad. Jimmie Lunsford's orchestra was one of the great Jazz Bands along with Basie, Ellington, and Chick Webb. In many ways, they were the popular royalty of swing, because they presented a higher level of entertainment and were probably more popular among African Americans than Ellington, and were longer lasting than Basie.
Hope you can share the albums you have ;)



I like prima and calloway but i also like the crooning styles of bobby darin and the members of the rat pack. And in my opinion d) and e) should not be taken into consideration because i believe they have nothing to do with the quality of their recordings. Recording engineers are reponsible for the recording and mixing quality and also impersonations is not a factor. they all have different vocal styles and in which they just need to be more creative in rendering a song.








Steve wrote:There's one not on the list ... Luiz.
I vote for Luiz for bringing more than ANYONE to the jazz scene ... at least the recent jazz scene ... at my house.

luizoak wrote:Ok, time for a new Poll. Anyone?

luizoak wrote:Oh man, Jump Blues and Other Blues sometimes are just impossible to identify.
You, as moderator, have all the authority to move the posts ;)

JouJoux wrote:Steve wrote:There's one not on the list ... Luiz.
I vote for Luiz for bringing more than ANYONE to the jazz scene ... at least the recent jazz scene ... at my house.
Steve, dear. you haven't seen yet Luiz playing Pizzarelli... his performances are better than anyone's here. ;)
I really think that Louis is better than Cab - Louis makes everything looks improvised through his clumsy gesture, while Cab seems to have all the moviments calculated. it brings more sophistication, but not more joy, in my opinion. Cab has it's performances routines (hair and "Hi-De-Ho" hands) while Prima changes constantly his stage behavior.
I give more credits for those who produce more with less.


I dont think so. In my definition of entertainment, there is no legacy subject envolved. TO entertain is to entertain an audience in the exact moment of their concerts, not their importance towards the whole jazz scene's growth.influence on other entertainers, contribution to the growth of "jazz",
But given the established rules, how can anybody be ahead of Sammy?




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